Assassin Page 2

  She rolled over to his side of the bed and reached for the alligator billfold on his bedside table. She held it above her face, opened it, and ran her index finger lightly over the gold monogrammed letters S.C.S. Then she carefully slipped the encrypted micro-thin disc into one of the unused pouches on the left side, opposite the credit cards and a thick fold of lire on the right. The thin disc was made of flexible material. The odds of his discovering it were nil. She put the wallet back on the bedside table, exactly as he'd left it, then rolled over onto her back.

  A soft shaft of yellow light expanded on the ceiling as the bathroom door was opened and Simon padded quietly around the foot of the bed. Eyes closed, her bosom rising and falling rhythmically, Francesca listened to Stanfield slip his cigarette case, billfold, and some loose change into the pockets of the beautiful black cashmere blazer she'd bought for him in Florence.

  He came around to her side of the bed and stood silently for a moment before bending to kiss her forehead.

  "Just going over to Harry's for my nightcap, darling. I won't be long, I promise. One and done."

  "Ti amo," Francesca whispered sleepily. "This is for you, caro," she said, handing him a small red rosebud she'd plucked from the vase on her bedside table. "For your lapel, cosi non lo dimenticherete, so you won't forget me."

  "Ti amo, too," he said, and, after inserting the stem of the rose into the buttonhole in his lapel and stroking a wing of her hair away from her forehead, he left her side. "Ciao."

  "Ritorno-me, caro mio," she said.

  A moment later, the bedroom door closed softly behind him and Francesca whispered in the dark. "Arrividerci, caro."

  Stanfield took the service elevator down to the ground floor, turned to his right and proceeded down the short hallway that led to the kitchen. Il facchino, the ancient hall porter named Paolo, was dozing with his chair tilted back against the tiled wall. Stanfield placed the tasseled key to his suite on the folded newspaper in the old fellow's lap.

  "La chiave, Paolo," he whispered.

  "Con piacere. Buona sera, signore," he said as Stanfield passed. He's been through this routine so often he now says it in his sleep, Stanfield thought.

  Stepping through the kitchen's service door and out into the empty Campo Santa Maria del Giglio, a smile of pleasure played across Stanfield's features. It was his favorite time of night. Very few people about, the enchanted city now turned many shades of milky blue and white. He started walking across the plaza, the recent memories of Francesca still blooming in his mind like hothouse flowers, the lush scent of her still lingering on his fingers.

  Yes. Her ivory skin, whiter in those places where the most delicate articulations of the joints showed through; and her lily fingers which danced upon his body still, to some mystic memory of music.

  And now, the small perfection of a quiet stroll over to Harry's for a large whiskey, straight up, an appropriate cigar, the Romeo y Julieta, and some time to reflect on his incredible good fortune. He'd always enjoyed wealth, been born with it. But he'd played his cards right and now he'd reached the point where it was time to see what serious power felt like. Now he knew. A thoroughbred pawing the turf in the starting gate.

  And, he's off! called the announcer in his mind, and indeed he was.

  He turned right on the Calle del Piovan, then crossed the little bridge over the Rio dell'Albero. It was only a quarter of a mile to Harry's, but the twisting and turning of the narrow streets made it--

  Jesus Christ.

  What the living hell?

  There was a strange, high-pitched chirping sound behind him. He turned and looked over his shoulder and literally could not believe his eyes. Something, he could not imagine what, was flying straight towards him! A tiny red eye blinking, blinking faster as whatever the thing was headed rapidly for him, and he realized that if he just stood there it would, what, hit him? Knock him down? Blow him up? Breaking into an instant sweat, he turned and started running like a madman.

  Insanity. No longer out for an evening stroll, Simon Stanfield was now running for his life.

  Feeling the surge of adrenaline, he sprinted down the Calle Larga XXII Marza, dodging passersby, flying past the darkened shops, headed for the Piazza San Marco where maybe he might just lose this apparition. A quiet drink at Harry's would just have to wait. He'd shake off this thing somehow, and what a story he'd have to tell Mario when he got there! No one would believe it. Hell, he himself still couldn't believe it.

  Stanfield was a man who took care of himself. He was, at fifty, in impeccable physical condition. But this thing matched his every move, never losing nor gaining ground, just hurtling after him turn for turn. He raced over another tiny arched bridge and dodged left into the Campo San Moise. The few people he passed stopped and stared after him, open-mouthed. The chirping, blinking thing streaking after a running man was so absurd it made people shake their heads in bewilderment. It had to be a movie scene. But where were the cameras and crew? Who was the star?

  "Aiuto! Aiuto!" the man shouted at them, screaming now for help, calling for the police. "Chiamate una polizia! Subito! Subito!"

  There were always a few carabinieri hanging about St. Mark's Square, Stanfield thought feverishly. He'd just have to find one to get this goddamned thing off his back. But what could they do? Shoot it down? He was getting winded now, he realized, looking over his shoulder at that horrible flashing red eye as he raced into the nearly empty piazza. Very few people around, and no one at the distant cafe tables lining the square paid much attention to the screaming man since they could see no one chasing him. A drunk. A loco.

  What the fuck am I going to do? Simon Stanfield thought feverishly. I'm fast running out of gas here. And options. The familiar shapes of the Basilica of St. Mark and the Doge's Palace loomed up before him. Can't run much farther. Nowhere to run to, baby, nowhere to hide. His only hope was the goddamned thing hadn't yet closed the gap. If it were meant to take him out, surely it could have easily done so already.

  Maybe this was just a really God-awful nightmare. Or this little flying horror was someone's incredibly elaborate idea of a practical joke. Or maybe he had acquired his own personal smart bomb. He was not only running out of gas, but ideas as well. And then he had a good one.

  He angled right and made straight for the tall tower of the Campanile, swung hard right into the piazzetta leading to the canal. Pumping his knees now, Stanfield passed through the columns of San Marco and San Teodoro and kept on going. The thing was getting closer now, louder, and the chirps had solidified into a single keening note. He couldn't see it, but he guessed the red eye wasn't blinking anymore either.

  The Grand Canal was maybe twenty yards away.

  He might make it.

  He put his head down and barreled forward, just like the old days, an enraged bull of a Navy fullback bound for the end zone, no defenders, nothing standing between him and glory. He reached the edge, filled his lungs with air, and dove, flew into the Grand Canal.

  He clawed his way down through the cold murky water, and then he stopped, hung there a moment treading water. He opened his eyes and looked up. He couldn't believe it.

  The little red-eyed bastard had stopped too.

  It was hovering just above him, a glowing red oval contracting and expanding on the undulating surface of the water.

  Gotcha, Stanfield thought, relief flooding him along with the realization that he'd finally managed to outwit the goddamn thing. That's when he saw the red eye nose over and break the surface, then streak downward through the shadows towards him, growing larger and larger until it obliterated everything.

  Few people actually witnessed the strange death of Simon Clarkson Stanfield, and those who did, did so from too far away to be able to tell exactly what they'd seen.

  There were a number of gondoliers ferrying a group of late night revelers from late supper at the Hotel Cipriani back to the Danieli. Singing and laughing, few even heard the muffled explosion in the dark waters just off V
enezia's most famous plaza. One alert gondolier, Giovanni Cavalli, not only heard it, but saw the water erupt into a frothy pinkish mushroom about fifty yards from his passing gondola.

  But, Giovanni was in the midst of a full-throated rendition of "Santa Lucia" as he poled by; his clients were enraptured, and the gondolier made no move to pole over and take a closer look. Whatever he'd seen had looked so unpleasant as to surely dampen the Americans' generosity of spirit and perhaps seal their pockets as well. Minutes later, as his gondola slid to a stop at the Hotel Danieli's dock, he ended the solo with his famous tremolo obbligato, bowing deeply to the vigorous applause, sweeping his straw hat low before him like a matador.

  Early next morning in the Campo San Barnaba, the gondolier Giovanni Cavalli and his mother were inspecting the ripe tomatoes on the vegetable barge moored along the seawall of the plaza. Giovanni noticed the owner, his friend Marco, wrap some newly purchased fagiolini in the front page of today's Il Giornale and hand them to an old woman.

  "Scusi," Giovanni said, taking the bundle of green beans from the startled woman and unwrapping it. He dumped her carefully selected vegetables, just weighed and paid for, back on the heaping mound of fagiolini.

  "Ma che diavolo vuole?" the woman shrieked, asking him what the devil he wanted as he turned his back on her and spread the front page out over Marco's beautiful vegetables. There was a picture of a very handsome silver-haired man with a huge headline that screamed: Murder In Piazza San Marco!

  "Momento, eh?" Giovanni said to the outraged woman, "Scusi, scusi." Ignoring the woman's flailing fists, which felt like small birds crashing blindly against his back, Giovanni devoured every word. There had indeed been a most bizarre murder in the piazza last night. An American had died under the most curious of circumstances. Witnesses said the apparently deranged man dove into the Grand Canal and simply exploded. Police were initially convinced the man had been a terrorist wearing a bomb belt who had somehow run amok. Later, when they learned the identity of the victim, a shockwave rippled throughout Italy and down the long corridors of power in Washington, D.C. The dead man was Simon Clarkson Stanfield.

  The recently appointed American Ambassador to Italy.

  Chapter One

  The Cotswolds

  THE GODS WOULD NEVER HAVE THE NERVE TO RAIN ON HIS wedding. Or, so Commander Alexander Hawke told himself. The BBC weather forecast for the Cotswolds region of England had called for light rain Saturday evening through Sunday. But Hawke, standing on the church steps of St. John's, basking in the May sunshine, had known better.

  Hawke's best man, Ambrose Congreve, had also decided today, Sunday, would be a perfect day. Simple deduction, really, the detective had concluded. Half the people would say that it was too hot, while the other half would say that it was too cold. Ergo, perfect. Still, he had brought along a large umbrella.

  "Not a cloud in the sky, Constable," Hawke pointed out, his cool, penetrating blue eyes fixed on Congreve. "I told you we wouldn't need that bloody umbrella."

  Hawke was standing stiffly in his Royal Navy ceremonial uniform, tall and slender as a lance. Marshal Ney's ornamental sword, a gift from his late grandfather, now polished to gleaming perfection, hung from his hip. His unruly hair, pitch-black and curly, was slicked back from his high forehead, every strand in place.

  If the groom looked too good to be true, Ambrose Congreve would assure you that this, indeed, was the case.

  Hawke's mood had been uncharacteristically prickly all morning long. There was a definite tightness in his voice and, were Ambrose to be perfectly honest, he'd been rather snappish. Curt. Impatient.

  Where, Congreve wondered, was the easygoing, carefree bachelor, the blase youth of yore? All morning long the best man had been giving this storybook groom a decidedly wide berth.

  Heaving one of his more ill-disguised sighs, Ambrose peered hopefully up into the now cloudless sky. It wasn't as though Ambrose actually wished for rain on this radiant wedding day. It was just that he so despised, detested really, being wrong. "Ah. You never do know, do you?" he said to his young friend.

  "Yes, you do," Hawke said, "Sometimes you actually do know, Constable. You've got the ring, I daresay?"

  "Unless it has mysteriously teleported itself from my waistcoat pocket to a parallel universe in the five minutes since your last enquiry, yes, I imagine it's still there."

  "Very funny. You must amuse yourself no end. And, why are we so bloody early? All this lollygagging about. Even the vicar isn't here yet."

  The Scotland Yard man gave his friend a narrow look and, after a moment's hesitation, pulled a small silver shooter's flask from inside his morning coat. He unscrewed the cap and offered the flagon to the groom, who clearly was in need of fortification.

  Rising early that morning, a cheery Congreve had breakfasted alone in the butler's pantry and then hurried out into the Hawkesmoor gardens to paint. It was delightful sitting there beside the limpid stream. Lilacs were in bud and an unseasonably late snowfall had all but melted away. The light haze of spring green in the treetops had recently solidified. Beside the old dry-stone wall meandering through the orchard, a profusion of daffodils thick as weeds.

  He'd been sitting at his easel, slaving over what he judged to be one of his better watercolour efforts to date, when the memory of Hawke's earlier remark stung him like a bee. Hawke had made the comment to the aged retainer, Pelham, but Ambrose, lingering at the half-opened Dutch door leading to the garden, had overheard.

  I think Ambrose's paintings are not nearly as bad as they look, don't you agree, Pelham?

  Of course, Hawke, his oldest and dearest friend, had meant the jibe to be witty and amusing, but, still--that's when a solitary raindrop spattered his picture and interrupted his revery.

  He looked up. A substantial pile of gravid purple clouds was building in the west. More rain today, of all days? Ah, well, he sighed. The fat raindrop's effect on his picture was not altogether unpleasant. Gave it a bit of cheek, he thought, and decided the painting was at last finished. This lily study was to be his gift for the bride. The title, whilst obvious to some, had for the artist a certain poetic ring. He called it The Wedding Lilies.

  Packing up his folding stool, his papers, paints, pots and brushes, he looked again at the purple clouds. The best man had decided on the spot that, while an umbrella may or may not come in handy on Alexander Hawke's wedding day, the brandy flask was a must. Grooms, in his experience, traditionally needed a bracer when the hour was at hand.

  Hawke tilted back a quick swig.

  When Ambrose recapped the flask and slipped it back inside his black cutaway without taking a bracer for himself, Hawke shot him a surprised look.

  "Not even joining the groom in a prenuptial?" Hawke demanded of his companion. "What on earth is the world coming to?"

  "I can't drink, I'm on duty," Congreve said, suddenly busy with his calabash pipe, tamping some of Peterson's Irish Blend into the bowl. "Sorry, but there it is."

  "Duty? Not in any official sense."

  "No, just common sense. I'm responsible for delivering you to the altar, dear boy, and I fully intend to discharge my duties properly."

  Ambrose Congreve tried to appear stern. To his lifelong chagrin, achieving that cast of expression had never been easy. He had the bright blue eyes of a healthy baby, set in a keen but, some might say, sensitive face. His complexion, even at fifty, had the permanent pinkish pigmentation of a man who'd once had freckles lightly sprinkled across his nose.

  For all that, he was a lifelong copper who took his duties extremely seriously.

  Having gained an upper rung at the Metropolitan Police, he had had a distinguished career at New Scotland Yard, retiring four years earlier as Chief of the Criminal Investigation Department. But the Yard's current Commissioner, Sir John Stevens, unable to fill Congreve's shoes at CID, still retained his services from time to time. Sir John was even kind enough to let him keep the use of a small office in the old Special Branch building in Whitehall
Street. In the event, however, Congreve spent precious little time in that cold, damp chamber.

  Numerous globe-trotting escapades with the fidgety groom now standing beside him on the church steps had mercifully kept the famous criminalist away from his humble office and hot on the trail of various villains and scoundrels these last five years or so. Their last adventure had been a somewhat heated affair involving some rather unsavory Cuban military chaps down in the Caribbean.

  Now, on this bright morning in May, on the steps of this small "chapel of ease" in the picturesque if unfortunately named village of Upper Slaughter, the groom was giving a first-rate impression of a lamb on his way to the slaughter. Hawke's glacial blue eyes, normally indomitable, finally wandered from the study of a lark singing in a nearby laurel to rest uneasily upon Congreve's bemused face. Hawke's gaze, Congreve often noted, had weight.

  "Interesting. Since I was a child, I've always wondered why they call this place a 'chapel of ease,' " Hawke remarked.

  "Any sense of 'ease' being notable by its current absence?"

  "Precisely."

  "These small chapels were originally built to ease the overflowing congregations at the main churches."

  "Ah. That explains it. Well. My own personal demon of deduction strikes again. I'll have another nip of that brandy if you don't mind. Cough it up."

  Congreve, a shortish, round figure of a man, removed his black silk top hat and ran his fingers through his disorderly thatch of chestnut brown hair. Alex had nowhere near the tolerance for alcohol he himself possessed, even at his somewhat advanced age; and so he hesitated, stalling, pinching the upturned points of his waxed moustache.